WhereTheMapEnds StoreThank you for visiting the products page at WhereTheMap Ends.com. I'm very excited about these items and hope you will find them useful. And watch this spot for future products, already in the works. Character Creation for the Plot-First NovelistWhat is a plot-first novelist? Someone who can think up fantastic plots like nobody's business but to whom three-dimensional characters come slowly or not at all. I'm one of those. My early, unpublished fiction was high on interesting action but featured characters who were nothing more than cardboard cutouts I moved around the stage to be there when the truck blew up. I know I'm not alone, too. As an acquisitions editor and now as a freelance book doctor I see this all the time. The story and premise are interesting, but the characters are flat and impossible to tell apart. It was for writers like that, writers like me, that I developed this system. This is my flagship product and I'm very proud of it. Character Creation for the Plot-First Novelist begins with a character center and then adds layers in a logical fashion, coming at character creation from a variety of angles—everything from how we perceive people in real life to how the character is (or isn't) impacted by the love of God. The result is something the plot-first novelist may've despaired of ever being capable of: living, fully realized, interesting characters who are a joy to write and memorable to read. This is the system I wish someone had given me when I was starting out. I’m not a tool and chart kind of guy, but this system really worked for me! Before I found this system my characters seemed vibrant, alive, and likeable—in my head. Unfortunately readers (and acquisitions editors) couldn’t go into my head, and a couple of my most important characters failed to come alive in my manuscript. Jeff Gerke’s “Character Creation for the Plot-First Novelist” system gave me characterization solutions and suddenly my characters sprang to life. I found the use of the Myers-Briggs temperaments, character love languages, and the character monologue exercises especially helpful. In the future I plan on using this tool before I send proposals to acquisitions editors. Gary Varner, author of The Great Hour Struck What's So Great About It?Character Creation for the Plot-First Novelist takes the mystery out of creating characters for fiction. You know what I'm talking about: those other authors who say "The characters just came alive and started telling me what they were going to do," or "I was just a reporter following them around and writing down what they did," or "I couldn't wait to get to the keyboard to see what they were going to do next." I don't know about you, but I've never had that happen to me. I'm sure it must happen for many, many writers. Those are the ones for whom character creation comes easily. But what are the rest of us to do? When I let characters just do their thing in my stories they tend to do things simply because the plot needs them to do it, and that's no good for fiction. What comes easily for some writers comes only with difficulty and work for me and writers like me. Character Creation for the Plot-First Novelist provides a logical, sensible method for working up believable characters. No mystery; just a reasonable system of layers that results in good characters. On my writer's bookshelf I've got more books on creating characters than on any other topic in fiction. But in all that searching I never found a method that worked for me. Possibly because those books are often written by people for whom the task of character creation comes naturally. So it's back to my earlier question: what about the rest of us? Character Creation for the Plot-First Novelist begins with a core personality type and then adds onto that from seven major angles. The whole system culminates in a monologue you'll write that shows you (sometimes quite surprisingly) that you fully know who this character is and what he or she acts, dresses, looks, and—most importantly for fiction—talks and thinks like. The ComponentsCharacter Creation for the Plot-First Novelist is comprised of three main parts:
Items 1 and 2 can be purchased separately or together. Item 3 is purchased separately. The booklet, called The Sixteen Types, is available only directly from the publisher. That booklet is an excerpt from a larger book, Please Understand Me II by David Keirsey, which is available through Amazon. Either the book or the booklet is sufficient for the system, but one or the other is essential. The book has tons of great information for fiction authors, but the booklet has everything you need to work Character Creation for the Plot-First Novelist. The products can be purchased in the following arrangements:
The Book or the Booklet, That Is the QuestionAs I mentioned, you need either The Sixteen Types or Please Understand Me II to work the system. Both of these products are available through third parties. The Sixteen Types must be ordered directly from the publisher. It's $5 plus shipping. This is the product I recommend for the writer on a budget. It's everything you need to work the Character Creation for the Plot-First Novelist system. Please Understand Me II is a fabulous book. It contains all the information in The Sixteen Types but includes much more, including how the types (i.e., temperaments) interrelate, lead, parent, and more. It's fascinating and well worth the $15.99 price tag (plus shipping). Please Understand Me II can be purchased through Amazon. Just So I'm Sure I've Been ClearSometimes I worry that I haven't communicated clearly. So here's a recap. In order to fully utilize Character Creation for the Plot-First Novelist you must have these three items:
You can create characters using the system if you have items 1 and 3 only, and you can have fun with item 2 by itself, but to get the full effect you need all three items. I hope that's clear. And I hope you experiment with the system. |
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